Walsh Leaps to Silent Era Forefront

Regeneration Defines Big Picture-Making For 1915

Dashing Raoul Walsh (seen pictures from this period? --- no wonder he was also in demand as leading man) directs, co-writes for a first time to establish a half-century career. Critics were wowed and RW became a made man at features in infancy. What to weep over is follow-ups of his that don't survive, dozens of which sound fascinating, especially those with Walsh-wife Miriam Cooper, who put Raoul in a briar patch once they split (hell hath no fury, etc.), but made with him a series of ace-high dramas like The Honor System, a prison meller that would probably be hailed a masterpiece if only we could locate it. Director primacy is won by those whose work has longest survival list, that helping Griffith, for one, stay atop. Walsh meanwhile, who may have been best of all, must sustain on tiny sampling of a prolific silent career gone largely to dust. Regenerationturned up by chance to uptick his standing and prove Walsh began at a gallop. Of course, more could resurface tomorrow, and elevate him further. Regeneration is called the first feature-length gangster movie --- quite a distinction --- and I don't see anything challenging it. There's good pace, subtle effects, a camera pulling in or away for emphasis when needed. Walsh was a quick study at Griffith's elbow when he played J. Wilkes Booth in The Birth Of A Nation. To think this man kept making movies all the way to 1964 is some kind of amazing.